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Te Kawa o Tūwaerea · studio eight · the newest room

TE PUKU ATUA · the console + the orb seed

Two things in one room. The prompt console: she says what she wants in her own words; the console answers in canonical spec — the exact language the image-maker (the wing, and any wing that follows) understands best. And the orb seed: the digital orb. Put anything inside it — an image, a world — and hold absolute control over every aspect of it, orb styles.

Te Puku · the prompt console — she speaks, the console specs

Nothing here leaves the waka. The console turns her plain words into the canonical spec — subject, style, palette, ratio, use — the spec she hands to the image-maker. While the wing lives, the wing produces to that spec. The seat is built so any successor slots straight in.

Say it plain

The canonical spec

The spec appears here — the exact words to hand the image-maker. Then "queue it" keeps it in the waka until it's made.
the queue: empty
Te Pōro · the orb seed — put anything inside, control every aspect

The seed of the machine he's seen for 25 years, alive today at seed scale: load any image and the orb seats it on a living form inside — a sphere, a card, a pou — full gyro: turn it, tip it overhead or underfoot, zoom to the grain. Light it how you want. This is the honest first ring of the orb: a container that holds what you place in it and answers to your hand alone.

light warmth
drag · turn & tip  —  scroll · zoom  —  the orb holds what you place in it
Te Ara · the orb's road — what it becomes, honestly mapped

Now · the seed built · this page

Put anything inside: image seated on a living form, full gyro control, light and warmth at the hand. The container that holds and obeys. Export the moment.

Next · the placed world near term

Multiple placements in one orb — the ant AND the world AND the cosmos, nested, each with its own controls. Text specs locking in as parameter sheets (bible in, spec out — the console above already speaks it). The orb as a governed container: every parameter visible, every lock hers.

Then · the moving world the 25-year sight

The holystick capture: one locked-off wide shot, good light — the background stripped, the figure seated in the orb turned 3D in real time, the movement mapped and saved and stuck onto any creature the whare makes — a ninja warrior, an assailant matched to the weapon's flow. That is pose-reading and motion transfer — real technology, research-grade, and the road to it runs through the studios already standing: the choreography visualizer is its first cousin. Mapped, not bluffed: image-maker seats characters → choreography engine moves them → the orb holds the world. Each ring buys the next.

✦ ask
TE AHO · the prompt line — your thread with the tohunga×
your thread lives on your machine only — it follows you through every space · open your seed ↗